A sketch comedy presenting the daily life of four couples and two roommates of different ages and backgrounds. In a realistic tone, it explores in a raw and disarming way all facets of the couple, unfiltered in the privacy of the bedroom, one of the only places where one can truly be oneself.

Two lovers, forever separated?

Sarah, a young composer, has good news for her boyfriend Clément but their happiness is short lived. When her parents are told Sarah is dead, her mother Jeanne drives Clément home. Looking through Sarah's things, she wants to decipher her daughter's life. The next day, Jeanne asks Clément to accompany her as they recreate the day Sarah would have lived.

Four-year-old Alice Leroy disappeared on a beach, assumed to have drowned. Eleven years later, Alice reappears.

On a cold fall evening, Leila is left alone to tend the family convenience store. A series of strange clients keep her in a constant state of apprehension. Language and cultural barriers also contribute to the making of a nerve-racking evening.

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Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.